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Off the Clock - Archival Print

By Carol Loeb

Off the Clock - Archival Print
$75.00

Shipping calculated at checkout.

Print Style
  • 16x20 Matted
  • 24x10 Stretched Satin Canvas
  • 48x20 Stretched Satin Canvas
  • 24x10 Framed Satin Canvas - Black
  • 24x10 Framed Satin Canvas White
  • 48x20 Framed Satin Canvas Black
  • 48x20 Framed Satin Canvas White
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About Off the Clock

The main subject is the red Muskoka chair on the beach with a beach bag and flip-flops laying beside it. (This type of chair is also known in the USA as an Adirondack chair.) The footprints in the sand are faint and starting to get filled in with blown sand. I like the ambiguity of the image and the stories and associations it might suggest – from the mysterious to the sublime.

Where is the person who owns the beach bag and flip-flops? How long has the person been gone? Is this a dream of where we would like to be or is it reality? Happy or melancholic – you decide.

 

About Your Print

  • Made with Archival Papers and Canvas
  • Giclée Printed Archival Inks
  • 100% Handmade with Love in Canada
  • Uses Acid-Free Matboard (Matted Prints only)

 

Pickup available at 673 Innovation Drive

Usually ready in 5+ days

View store information

Off the Clock - Archival Print

673 Innovation Drive

Pickup available,usually ready in 5+ days

673 Innovation Drive
Unit 3
Kingston ON K7K 7E6
Canada

6139850858
Materials

Made with:

Shipping & Packaging

All prints are made and ready to ship within 1 week of your order. Your shipment will be custom packaged and shipped expedited with tracking number. Shipping times may vary.

Warranty

All prints leave our facility in top condition. We guarantee our own worksmanship. If a package arrives damaged, simply contact us with pictures and we will replace it, no questions asked.

Choose the option that best suits you and your space! It always helps to measure the wall you are planning to fill before ordering.

Off the Clock - Archival Print
$75.00
About the Artist

Carol Loeb

Carol Loeb is a Signature member of the American Artists Professional League, a Senior Signature member of the Federation of Canadian Artists and an Elected Member of the Society of Canadian Artists. She earned a Fine Arts Certificate from Fanshawe College and a BA (Hons) in Fine Art and Art History from McMaster University. She worked as a commercial artist in Toronto for several summers before beginning her 32-year career as an art teacher in schools across Canada, Singapore, New Zealand, Kuwait, the Philippines and the USA. She was the Senior School Visual Art instructor at Lower Canada College in Montreal until focusing on her own art full-time in 2020.

Her earliest influence was her uncle, British artist and inventor William Pugh. On an extended visit to Europe in the 1980s she was struck by the use of colour, technique and composition in the works of the impressionists and post-impressionists, and particularly of Monet and van Gogh. She is also inspired by the intent of the Group of Seven to visually describe and present the Canadian landscape to the world, and by Canadian artist Lawren Harris in particular.

Carol’s main focus is the landscape, both rural and urban. Inspired by ordinary scenes, she imbues her paintings with a life derived from the subject itself. Working in acrylics, she builds her works in layers of colour, creating luminous images conveying visual as well as emotional depth. Calm, contemplative settings dominate in her work. In the lead-up to Canada’s 150th anniversary she conceived and executed the Trans-Canada 150 art project, a cross-continental documentation of the Canadian landscape along the Trans-Canada Highway from coast to coast, culminating in a series of 52 studio paintings and a book. More recently, she has concentrated on industrial and urban subjects, and landscapes that include evidence of human habitation .

Since turning her focus more towards her own work beginning in 2009, Carol has presented numerous solo shows and taken part in group exhibitions in Canada, Italy and the USA. Her work has been awarded prizes and earned recognition in exhibitions presented by the Federation of Canadian Artists, the American Artists Professional League, the Northwest Watercolor Society, and the National Oil and Acrylic Painters’ Society, among others. Her work has been featured in Billie Magazine, The Artists’ Magazine as a winner of the Over 60 competition in 2020 and in Artist Talk magazine in 2021.

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